This Is Me--2024 A to Z Theme

My A to Z Themes in the past have covered a range of topics and for 2025 the theme is a random assemblage of things that are on my mind--or that just pop into my mind. Whatever! Let's just say I'll be "Tossing It Out" for your entertainment or however it is you perceive these things.
Showing posts with label Roma. Show all posts
Showing posts with label Roma. Show all posts

Monday, April 15, 2013

Movies About Making Movies (#atozchallenge)

Cover of "Fellini's Roma"
Cover of Fellini's Roma

The films that I'll be listing in my April postings will not necessarily be films that I'd call my favorite films, but they will be favorites in the genres I'll be naming.   The A to Z genres are very specific micro genres as opposed to the broader genres like action, romance, or comedy.

       If we love movies, it stands to reason that we probably like movies about how the movies are made.  From early film history filmmakers have made movies about their process.  For one thing it's probably cost effective since they can often use preexisting sets and the studio lots themselves.  And it's an idea that sells.  Audiences like to peek behind the curtain.

       There are so many films that I could list here, but here are some of my favorites:

Singing in the Rain (1952)--  Silent movies make the transition to talkies.  Some old stars can't make the grade while new stars are born.  One of the greatest of all film musicals.

8 1/2 (1963) -- A film director encounters crisis in his life and on the set as he tries to make a science fiction film.  This film is a semi-autobiographical look at the film's maker Federico Fellini.  The theme examines the complexities of the creative struggle.  This should be required viewing for all writers, aspiring or already published.  It is in Italian with subtitles, but if you write I assume you can also read.

Fellini's Roma (1972)-- This is one of my top ten all time favorite films.  In this wildly surrealistic pseudo-documentary, Federico Fellini leads his film crew as they make a movie about the history of Rome and how the city intertwines with his own life history.  A lot of interesting social commentary with fascinating cinematic imagery.

Day of the Locust (1975)-- Based on the novel by Nathaniel West, the story follows Hollywood wannabes and victims of life into the insanity of the film industry during the years of the Great Depression. Strange and seriously disturbing, the film borders on greatness and is a very good film about Hollywood.

Living in Oblivion (1995)--  Steve Buscemi stars as a serious minded director trying to make a great independent film with a small budget and an incompetent staff and cast.  Buscemi does a fine acting turn here in a film with hilarious scenes mixed with serious drama.  It's a very entertaining film. 

Hearts of Darkness (1991) -- This is a documentary about the making of Francis Ford Coppola's Apocalypse Now.   This doc shows the travails that had to be overcome in making the theatrical release.  A great look at real film making that's nearly as good as the actual movie itself.   This is a must for any hard-core Apocalypse Now fan.

Burden of Dreams (1982) -- Another making-of film that in some ways rivals the film it's about.  This documentary follows the creation of Werner Herzog's epic film Fitzcaraldo.   This was one crazy film about a true life crazy idea that encountered some amazing obstacles.  The obsessive Herzog was intent on filming this story and managed despite the odds against him to produce a great film.  A very interesting documentary about getting a movie made.

        Seen any of these?    What films about movie making do you think I should have added here?   Do you enjoy documentaries?   Why or why not?


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Friday, June 8, 2012

My Very Funny Fantasy Fellini Joke


           Federico Fellini and Marcello Mastroianni  walk into a bar.  "Two glasses of vino," says the famous Italian director to the bartender.
            The barkeep serves the two glasses.  "Eight and a half lira," he says.
            Federico hands over a thousand lira bill and says, "Keepa the change."  Leaning over to Marcello he says, "Thisa place izza cheap.  It doesn't cost a fortunella to drink here."
            Federico raises his glass for a toast.  "To life--life is good."
             "La dolce vita," says Marcello with a smile.
             They sip their wine in a contemplative minute then Marcello says, "Have you heard fromma Nino lately?"
            "Ah, yes, Nino Rota me the other day.  Hearing from Nino is music to my ears.  Right now he's at an orchestra rehearsal for a soundtrack for some silly little American movie about Italian gangsters."  Fellini laughs.  "You'd think we Italians are a bunch of clowns."
           "It's a swindle.  Gangsters!  Why do the Americans always think Italians are gangsters?"
           "I guessa we hava too much fun, eh, Marcello?"  Fellini nudges his friend and winks.  "One for the road,"  Fellini calls to the bartender, holding up his wine glass.
            "And howsa life Federico?"   Marcello says in a quiet voice.
            "The usual circus.  Always surrounded by clowns, midgets, and androgynous men with make-up and feather boas.  And then of coursa the women witha big breasts."
            "Oh, yes, you lika those women witha big breasts, eh Federico."
            "And you don't, Marcello? says Fellini jokingly.  "You lika all the women.  You don't fool anyone.  And all the women they love you back.  You are such a Casanova.  I thinka you'd like to live in a city of nothing but women--and you the only man."
           "Sounds like another one of your dreams to me, Federico."
            The men both have a lusty laugh.
             Then Marcello turns to Fellini with a questioning expression.  "Itsa kinda funny--here we are, here in Roma, both of us Italiano and we speaka de English.  Why we speaka da English?"
             Fellini shrugs and says, "No subtitles."


               If you read my Wednesday post you have some idea where today's post is coming from.  Did you understand the hidden jokes?  I'm sure you didn't.  Nobody watches Fellini movies except for me and maybe a few other weirdo cinephiles.   Please tell me that somebody who read this got it.  Okay, then how about this:   Was the story kind of funny without knowing about the real life characters?
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