What's the point of this post? The point is the point which is not the point you may think it is...
Toulouse-Lautrec self-portrait in the crowd, at the Moulin Rouge, Art Institute of Chicago (Photo credit: Wikipedia) |
In my post for the Remakes Blogfest, I had mentioned that Baz Luhrmann's version of The Great Gatsby was my favorite remake while I hated the director's 2001 film Moulin Rouge!. Many have said that this is a love it or hate it sort of film and I can vouch from my own experience that I can see why the film would create such separate camps. The music sequences are colorful and dazzling and well performed, but the story did not grab me. I also found the characters to be annoying. I'll likely give the film a third chance someday--someday when I'm in a strange mood, stranger than normal.
My reaction to that film made me hesitant to watch the 1952 film Moulin Rouge after I'd saved it from TCM for later viewing. Since my wife had also hated the Luhrmann film of the same name except with an exclamation point, she always declined to watch the earlier version for fear that it might be like the other film. Since I was sure that the film without the exciting punctuation mark would be different I waited until one night that I was watching movies alone to check it out.
Moulin Rouge (1952 film) (Photo credit: Wikipedia) |
Worth every award for which it won or was nominated, Moulin Rouge is a feast for the eyes as the story of artist Toulouse-Lautrec (played by Jose Ferrer) unfolds in come-to-life artwork that made him famous while telling the story of the amazing but sad life that he led. A stellar cast includes an interesting portrayal of a cafe singer done by Zsa Zsa Gabor--I'd thought she only did game shows and variety show appearances.
For me this film was an introduction to a famous French artist with whom I was familiar. His artwork is prevalent having often been reproduced on items easily found in places like Target, Pier One Import, or the like. In other words I basically knew his style and some of his specific works without being intimately familiar with any of his works. Many of his more famous paintings are recreated cinematically in the film.
Life stories whether exactly true or not are a film genre that I enjoy. Moulin Rouge fits nicely into what I'd want to see in any biopic. I'd highly recommend this film to anyone who might enjoy such a film as I have described without going into too many details. This is one of those films that hit me with an impact that I'm still thinking about it--and it's been nearly a month since I watched it.
If I haven't forgotten a film a day or so after I've seen it then that must mean something to me. Odd how that works sometimes.
What film have you seen that left such an impact on you that you continued to think about it for a long time after you'd seen it? Have you seen this 1952 version of Moulin Rouge? Care to hazard a guess as to what my Battle of the Bands song will be this coming Friday December 1st?