This Is Me--2024 A to Z Theme

My A to Z Themes in the past have covered a range of topics and for 2025 the theme is a random assemblage of things that are on my mind--or that just pop into my mind. Whatever! Let's just say I'll be "Tossing It Out" for your entertainment or however it is you perceive these things.
Showing posts with label Murder. Show all posts
Showing posts with label Murder. Show all posts

Monday, October 30, 2017

People You Don't Really Know


       In July of 1991 I moved my family to Downey, California in order to take a management job at the West Coast office of a large wholesale costume company.  The manager who I replaced was retiring due to issues with failing health.  Our warehouse was relatively small in size requiring only a permanent staff of a lady who did the office work and a husband and wife duo who ran the warehouse itself.  The business was primarily seasonal--a few months leading up to Halloween--so we would hire extra help for those couple of months, but most of the year it was me, Eva, and Tani and Luci.

      Estanislao Prado Gonzalez was a few years younger than I. He was a studious contemplative guy from Mexico.  I related well to him--or at least his interests--as he enjoyed listening to a wide range of music and reading a variety of books in English.  Though he spoke with a distinct accent, his English was excellent.  I relied on him to help me communicate with our Spanish speaking customers.  Since he seemed to be a passive quiet guy, Tani (as we called him) was easy to get along with.  The only times I ever saw him speaking in an aggressive angry tone was with his wife, Luz.

     Unlike her husband, Luz was a very hard worker.   Also from Mexico, Luz spoke no English, but that did not prevent her from doing her work without ever being told what to do.  And she was always doing something while much of the time Tani would sit at his shipping desk reading, listening to the radio or cassettes, or just idly daydreaming.  However they were an efficient team and together they got each day's chores done as they needed to be done.  

       The outgoing manager, a sickly heavy-set woman of about sixty, had told me that she suspected that sometimes Tani abused his spouse; that Luz would sometimes come to work with eyes blackened and looking roughed up.  I never saw any evidence that would have suggested any physical violence, but Tani did seem to exert a sort of control over her even though Luz came across as a pretty tough lady.

       Luz was an attractive woman who looked toughened by whatever her past had given her.  Probably about the same age as Tani, she had living with them two teenage daughters from a previous relationship.  Tani and Luz had a set of twins that had been born shortly before I arrived to my new job managing the costume company.

       The couple was a tremendous asset to me as I started a job that was quite different than the touring theater job I had previously held with the same company as I was now still working for.  Still, the pressure of learning a new job was soon complicated by my wife leaving me to raise our three young girls ages ranging from ten to three.  I lived very close to work and as manager I had a great deal of freedom to address the needs of my children and deal with a bad marital situation that was obviously headed toward divorce.  These were very stressful years for me.

      As the first few years passed I became comfortable with the new job while facing the personal challenges that had been thrown my way.  Fortunately people came into my life that helped things to flow more smoothly.   Soon after becoming the primary parent in charge I began having Luz's daughters babysit for me on occasions when I needed to be out.  The young girls were both teenagers and accustomed to childcare since they usually babysat the twins while Luz worked.  Both girls were competent and trustworthy.  

        They girls were beautiful, well-mannered, and seemed to be pretty intelligent.  I preferred the oldest, Edith, to babysit because she would always do some housecleaning while I was out without me ever asking her to do so.  Her sister, Gabriela, did her babysitting job with no cleaning.  Either way I was more than happy to have two babysitters I could rely on. 

         In 1994 things began to change at work.  Early in the year Eva died.  Eva was overweight, sickly, and she smoked to an excess which gave her a persistent cough.  Though it put a lot more responsibility on my shoulders, I was able to take over Eva's work even during the busy Halloween season since I could rely on Tani and Luz to manage what needed to be done in the warehouse and a couple months of temporary helpers made their work load bearable.  We got through that season with a lot of weekends and late hours, but we succeeded nevertheless.

       After Halloween the temp workers were let off and the quiet season of getting the warehouse back into order began so we could prepare for the end of the year inventory.   There was an election that I didn't pay much attention to other than noting the controversy surrounding Proposition 187 which was a law regarding illegal immigrants.  I didn't consider this to be of any great concern to me.   My interests at the time were more directed at Thanksgiving and Christmas.  

        I don't remember that particular Thanksgiving, but I do remember coming back to work on that next Monday to find myself the only one there--no Tani or Luci.   Surprised that they had not let me know anything beforehand, I went about my usual duties and waited to hear from them.  Finally a call came and Tani was on the line.

        Tani told me that they were afraid about the passing of Proposition 187 and had decided to move back to Mexico.  I was shocked since I had no idea they were working illegally.  I had figured everything had been taken care of by the lady who had hired them and I saw no problems with them being there.  Not wanting to lose such excellent employees I assured Tani that if they would come back to work, the company would get them an immigration attorney to iron things out.  He told me it was too late as Luz and the girls were already in Mexico.   Tani said he was in San Diego and wanted to come back to pick up their last paychecks which would be arriving in the office that coming Friday.  I told him that I would have to find out and that he should call me back.

        Later, the mother of Edith's boyfriend called me with great concern about the family's whereabouts.  I told her what Tani had told me, but she wasn't buying that story. She expressed a fear that something was not right and she was going to call the police.  Some time later a detective from the Downey police department contacted me.  He explained there was no absolute proof that they found, but there was enough to suspect that something dreadful might have happened.   There was what appeared to be blood on the carpets even though someone had very efficiently cleaned the now empty apartment with bleach and other strong cleaning fluids.   The other odd point was that the family had moved into the apartment just a few days prior to their leaving.  Tani had told someone at the apartments that they were going back to Mexico and that his wife and kids were already gone.

     The police had instructed me to make arrangements for Tani to pick up the checks and they would be waiting for him.  Sad and a bit nervous about Tani coming back, I waited at the center of a police stake-out.  I wasn't sure what would happen--if there would be some kind of violence or I would see Tani being hauled off glaring at me with a hurt sense of betrayal.  

       But Tani never showed up and nothing happened.  The police told me what I should do if I happened to hear from him again.   I never heard from him or saw him again.  Eventually the police tucked the issue away in the cold case file.  They didn't have the technology yet to help them tell the complete story behind the evidence the police had taken from the apartment.  Later, in 1996, some kids in Las Vegas found the remains of a body beside a street outside of town.  Upon further investigation the police found two more bodies nearby.   Police presumed the remains were prostitutes, but they could not identify those remains. 

      Finally in 1999 a Downey detective became curious about the case and started doing some investigation.   He tracked Tani to Las Vegas where he was working and living in squalid conditions with the twins.  Still it took a while to build a case without any convicting evidence.  Diligent detective work brought results and with the help of the Las Vegas police they were able to bring Tani in for questioning.   Tani eventually confessed to brutally murdering Luz Mucino and her daughters Edith, age 18, and Gabriela, age 17, and dumping their bodies.  It's likely that he had help, but though there is at least one suspect, no one else was charged with the crime.  Estanislao Gonzalez was sentenced to three life terms in 2004.

        Some readers might be thinking that this would be a good story for the television show Cold Case Files and it was--you can watch the episode here or on YouTube.   They actually brought a film crew to the warehouse I managed and followed me around that spooky place as they interviewed me.  They also filmed some of the scary props we had on display.   None of this made it into the episode.  Though no mention was made to me from the upper echelon of the company, I suspect that they too were contacted by the film company about the episode and it was all nixed for legalities and protection of our company image.  But I never asked and no one ever told me anything.  I didn't even get a DVD copy of the show like the producer had promised me.  That's show biz I guess.

       There are several  news accounts of this story if you search it out, but if you want to read a couple that appeared in papers in my area you can read the articles in the Los Angeles Times or the Long Beach Press Telegram

        What incidents in your life give you the creeps when you think about them?    Why do you think Tani would have murdered his wife and step-daughters so brutally?    Have you ever been interviewed for a television segment that was never aired?        

         


Friday, August 10, 2012

What Exactly Is A Profile?: Guest Hijacker Crime Fiction Writer Diane Kratz

          Crime investigation is an ugly business, but someone's got to do it.  Likewise, someone's got to write the stories about the subject and this is a genre that has been taken on by today's guest Diane Kratz from Profiles of Murder.   In this guest post Diane explains a bit about her business.
What Exactly is a Profile?
A profile is exactly what it sounds like, descriptive data.  We all have one. It is a summary (or in writing terms, a synopsis) of our life. Criminal investigators use the crime scene, victims, statistics, and forensics to sketch out an outline of the who, what, when, where, and why of a crime.
 Investigators actually have several different types of profiles to draw from in their tool belts.  
Inductive Criminal Profiling- A set of offender characteristics that are reasoned, by correlation, experiential, and/or statistical inference, to be shared by offenders who commit the same type of crime. These characteristics are based on averages. Example: Men are more likely to be serial killers than women. Why? Because the percentages tell us they are.
Deductive Criminal Profiling- A set of offender characteristics that are reasoned from the union of forensic and behavioral evidence patterns within a crime(s). It is based on psychical evidence suggestive of behaviors, type of victims (Victimology), and crime scene characteristics/analysis.
Victimology Profile-The study of all available victim information including sex, age, height, weight, family, friends, acquaintances, education employment, residence, and neighborhood. Background information is a part of this profile and includes personal habits, hobbies, criminal and medical history. Why is this important? It helps determine victim risk and linkage to other crimes.  Significant facts about the victim’s life, especially in the days and hours leading up to his or her death, are of the utmost importance.  A timeline is drawn up to map their movements, and investigators study all of their personal communications for signals to where they may have crossed paths with a viable suspect. It’s important to know their state of mind and their mental health assessment and history as well as their risk level (for example, a prostitute’s risk would be much higher than a girl with a nine to five job, living in her own home).
English: A crime scene. .English: A crime scene. . (Photo credit: Wikipedia)
Crime Scene Analysis Profile- A report that examines and interprets the behavioral evidence including location and scene types, point of contact, offender method of approach, attack and control, offender use of weapons, force and resistance, sexual acts, precautionary and contradictory acts, evidence of planning, offense skill level, items taken by or left behind by the offender, verbal behavior, and modus operandi/motivational behavior.
Offender Characteristics Profile. This is similar to Crime Scene Analysis but also includes familiarity with a victim or location, evidence of criminal history and state of mind, evidence of psychopathic characteristics such as superficiality, deceitfulness, impulsivity, lack of empathy or remorse, egocentricity, need for excitement, evidence of personal or sexual conflict, and evidence of sexual fantasy.     
Writers Note:
As writers, we profile our characters. We bring them to life by giving them emotions, goals, conflicts and motivations.  We get into the heads of our characters. We give them an age, sex, height, weight, hair color, eye color, likes and dislikes, hobbies, friends, enemies, personality traits, and emotional baggage.
We can make our characters heroes or diabolical villains. Writers have the advantage of telling a story from any point of view (POV) we choose. It can be told from the victim's POV, the villain's POV or the hero/heroine's POV. By doing so, each becomes a different story to tell.
In crime fiction I have the advantage of allowing my victims to have justice. In real life this isn’t always the case. This inspires me to write about the darkness in murders' minds. I know in the end, I can create the justice they deserve.
Happy Writing,
Diane Kratz

 

Diane Kratz is crime fiction writer. She has been married to her husband Tom for 25 years, lives on a small farm in Kansas and has worked as a social worker in domestic violence shelters, hospice, and in county mental health.
She graduated from Emporia State University bachelors in Sociology, and from Washburn University with a Masters in Social Work. She is accredited as Licensed Master Social Worker from the Behavioral Sciences Regulatory Board in Kansas. She has a Golden Lab named Maggie, and a very old cat named Figaro, and another named Patches.
She is an active member of Kiss of Death, Midwest Romance Writers, Romance Writer of America, Sister In Crime and International Thriller Writers Association.
Her favorite authors include Karin Slaughter, Jeff Lindsey, Steven King, Tess Gerritsen and CJ Lyons.
She is currently working on her first novel in a series of five books, Victims of Love Genesis.

You can keep up with Diane on her Facebook page: http://www.facebook.com/AuthorDianeKratz
Twitter:

Or her blog:


      Are you a fan of crime fiction?  If you write crime fiction do you follow Diane's approach?   Aside from crime, do you create character and motive profiles when you write?




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Friday, June 15, 2012

Ten Ways To Write a Bloodless Death Scene: Jim Murray Guest Post

         I've found that LinkedIn is a wonderful place to meet other bloggers and authors.  Recently I met James Murray and was impressed by his new blog.  Jim's fiction deals with murder mysteries.  You can find his blog at James J. Murray.  Today I've invited Jim to share some of his sinister knowledge.   This is intended as information for writers--do not try these at home!


Ten Ways To Write a Bloodless Death Scene

Recently I was doing research for a new book.  The storyline called for one of the characters to be murdered.  Simple enough!  Shoot or stab the person, or use a dozen other ways to kill off the character.  But that didn’t fit with the storyline.  It was important that the killer not leave ANY blood at the crime scene, ESPECIALLY the victim’s.  Hmm?!  What method would I use to accomplish that?

I talked to a friend about my dilemma and the discussion led to some interesting suggestions about how to construct a bloodless murder scene, and the resulting research became even more fascinating.  To say I’ve become an expert at describing a bloodless murder scene might be going a bit too far, but I did learn a little valuable information that I’d like to share with my fellow writers of crime.

I say I learned “a little” because there are SO MANY ways to kill without shedding blood that it sort of overwhelmed me.  I began to think, “So many ways to kill and so little time to write about it!” 

At any rate, the following is a list of some of the more interesting and believable ways to accomplish the task.


                        The Temple Blow – The skull is thin there and the temple bone shatters easily.  More importantly, though, the middle meningeal artery is located there.  Rupture that and you cause a build-up of blood and brain compression.  That’s called an epidural hemorrhage.  Very effective and death will follow if the pressure from the blood is not relieved in a relatively short amount of time after the trauma.

               Cobra Venom Darts – Cobra venom is a powerful neurotoxin (causes general muscle paralysis and respiratory failure) and it contains an anticoagulant (causes blood not to clot and the victim can bleed to death).  It kills in as little as 60 minutes.  Imagine the cool chapter you could write if the victim realizes what’s happening but can’t do anything about it.  

                      The Russian Omelet – Cross the legs of your enemy and pin him to the ground chest down.  Then push the legs up toward his back and sit on them to fold and break the base of the spine.  It’s usually fatal.  I’m thinking the killer should be of “substantial” weight to make this a believable kill method.

                 An Airborne Toxin Release – There are any number of good choices, from a viral toxin to a lethal poison.  A simple Internet search fuels the imagination.

                      An Insulin Overdose – Insulin is the hormone that spits out of our pancreas whenever we eat sugary or starchy foods.  It transports the resulting blood glucose into our cells to be used as fuel.  Too much insulin primarily causes a low blood sugar level and this leads to a variety of symptoms (shaking, sweating, blurred vision, seizures and coma) before death.  Describe the symptoms properly and you’ve got a great murder scene, and some kinds of insulin don’t even require a prescription.

                        Carbon Monoxide (CO) Poisoning – It’s a simple way to kill, but not very imaginative.  Lock someone in garage with a car running and soon the carbon monoxide build-up will kill because it replaces the oxygen in blood.  (The oxygen we breathe binds to the hemoglobin in our blood to oxygenate our bodies, but carbon monoxide binds to hemoglobin instead and we essentially suffocate).  There are products, however, that kill in the same way as CO.  In a murder scene I wrote recently, I used an organic solvent that preferentially binds to hemoglobin instead of oxygen (like CO) in a murder scenario.  It proved to me once again that there’s no substitute for good research when writing creative, interesting scenes.
 
                  Ethylene Glycol – This is the main component of antifreeze.  It’s a colorless, odorless, sweet-tasting chemical that’s easy to add to most any food or drink.  It’s rapidly absorbed in our GI tracts and distributed throughout the body, creating a variety of wonderfully toxic effects.  The initial symptoms mimic a drunken state, but kidney failure is what usually causes death.  Interestingly, alcohol is the antidote of choice.  Maybe the KILLER should down the shot INSTEAD to celebrate a good kill!

                           Strangulation – A dramatic death for sure, but it’s been used A LOT.  It causes death in one of two ways: compression of the carotid arteries and/or the jugular veins, and deprives the brain of oxygen.  It can also fatally compress the larynx and/or trachea to prevent further air intake.

                         A Fatal Drug Dose – Any number of drugs (both legal and illegal) could be used, but the most rapid effects are gained if the drug is injected.  I recently blogged about what drug makes the perfect murder weapon and will talk more about that in future blogs.

                          The Adam’s Apple Crush – This is a hit to the larynx and a prime strike point to cause death if you connect dead center and with substantial force.  It makes a great kill scene for those Special Forces type characters.  The knuckle punch or a strategic kick closes the airway and denies the ability to draw in air.  Death from oxygen deprivation results.

       As mentioned, these are just a few of the more interesting murder methods to add to your crime research.  I’m sure you’ve come across others.  Want to share them with us?

Thoughts?  Comments?  We’d love to hear them.



Bio for James J. Murray:

With experience in both pharmaceutical manufacturing and clinical patient management, medications and their impact on a patient’s quality of life have been Jim’s expertise.  His secret passion of murder and mayhem, however, is a whole other matter.  His obsession with reading murder mysteries and thrillers left him longing to weave such tales of his own.  Drawing on past clinical expertise as a pharmacist and an infatuation with the lethal effects of drugs, Jim creates novels of Murder, Mayhem and Medicine that will have you looking over your shoulder and suspicious of anything in your medicine cabinet.   



           Be sure to stop by Jim's blog and see what it's all about.



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