This Is Me--2024 A to Z Theme

My A to Z Themes in the past have covered a range of topics and for 2025 the theme is a random assemblage of things that are on my mind--or that just pop into my mind. Whatever! Let's just say I'll be "Tossing It Out" for your entertainment or however it is you perceive these things.
Showing posts with label David Lynch. Show all posts
Showing posts with label David Lynch. Show all posts

Saturday, April 13, 2013

Life Story Movies (#atozchallenge)

Cover of "Yankee Doodle Dandy (Two-Disc S...
Cover via Amazon

The films that I'll be listing in my April postings may not necessarily be films that I'd call my favorite films, but they will be favorites in the genres I'll be naming.   The A to Z genres are very specific micro genres as opposed to the broader genres like action, romance, or comedy.

        There are tons of biopics or life story movies.  Some cover brief important periods of someone's life while others are biographies that cover a good portion of a person's life from childhood to death.  Some digress wildly from the truth while others stay relatively true to the source with a few liberties added for greater entertainment value or more dramatic effect.   No matter what, if the story is told well I love life story movies.

         Here are a handful of my favorites:

The Jolson Story (1946) -- I loved this film when I first saw it at about age 10 or so.  I still love it.  A few years back I got a couple of Jolson biographies from the library and was disappointed to find that much of the film was fabricated.  His true story was more interesting than the movie.  Still, it's a great film and I still love it.   One of the best show biz pics ever and an excellent biopic.

Yankee Doodle Dandy (1942) -- Another great show-biz biopic about a Broadway and songwriting legend George M Cohan.  Tons of classic songs and fabulous dancing by tough guy James Cagney--what a dancer he was.  This is one black and white film that deserved to be colorized, but either way you see the film it's well worth your time.  It gives you a great patriotic uplift as well.

Sergeant York (1941) --Gary Cooper stars as soft-spoken hillbilly hero of World War One.  Due to his Christian beliefs he does not want to fight, but when he realizes that sometimes we have to fight to be free he puts his sharp-shooting talents to work and captures 132 German soldiers on his own.  Another great American story.

Amadeus (1984) --Funny, tragic,and utterly great.  This biopic of composer Wolfgang Amadeus Mozart deservedly won eight academy awards.   The music's not too bad either.

The Elephant Man (1980) --This biopic directed by weird film director David Lynch tells the tragic story of the grossly deformed John Merrick who in 19th England goes from persecuted side show freak to a darling of British high society.  The film is dark, thoughtful, and sad.   It is also highly enthralling.  Well worth your time if you're ready for some depression.

         What are some of your favorite biopics?   Does it bother you when the film takes liberties with the true story?     Who do you think deserves biopic treatment? 




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Friday, June 25, 2010

Dark Movies, Dark Stories

           My Mom could always tell a good scary story when I was a kid.  I would enjoy the thrill of the fright and the sigh of relief that I had survived another scare.  We also regularly went to the movie theater matinees where the fare was frequently horror movies.  I can recall going to see films like Abbott and Costello Meet the Wolfman, The Amazing Colossal Man, and The Creature From the Black Lagoon.  But the one the really grabbed me was Godzilla--the version where Raymond Burr, television's Perry Mason witnesses the destruction of Tokyo.  I had seen the future and it was doom and destruction caused by atomic radiation.

          Consequently, one of my favorite types of films were the ones that dealt with darker themes.  These were often monster and horror films, but they also grew into the realms of movies that dealt with the darker side of humanity and the impending doom of the unknown forces of nature and man's irresponsible stewardship of the Earth.   Potentially fear producing and nightmare inducing films became a genre of intense fascination for me.

            Today I offer up thirteen dark stories on film:

Thirteen Scary Favorites: 

The Creature Walks Among Us (1956)--The third in the Creature from the Black Lagoon trilogy is perhaps the darkest of the three.  Whereas The Creature From the Black Lagoon was a good monster flick and the follow-up Revenge of the Creature went for more sensationalism, The Creature Walks Among Us tends to be more contemplative as it examines more ethical and philosophical questions.  It is a somber and brooding film in the end.





The Incredible Shrinking Man (1957) --While sailing in the ocean, a man exposed to a toxic substance later begins shrinking in size.  He becomes smaller and smaller as his wife tries to get him help.  The special effects are not bad for its day.  The ending is among my all time favorites in filmdom.






Vertigo (1958)-- An Alfred Hitchcock film is certainly worthy of a place on my favorites list.  Since one has not yet appeared, it is imperative that one show up on my dark films list.  Vertigo starring James Stewart and Kim Novak is an excellent one to fit the bill.  A film with a twist in the tradition of the best of Hitchcock also has a great psychedelic dream sequence.  The Birds is another excellent choice for Hitchcock that fits into the horror genre.




The Day the Earth Caught Fire (1961)--Here's a film that tackled the issue of global warming before Al Gore ever thought of it.  Except this is global warming to the extreme.  After nuclear testing gone awry the orbit of the Earth is disrupted causing the planet to begin to head toward the sun.  Filmed in black and white then tinted orange to create a look of heat, this low budget film is well acted with a good story line.  I found the ending to be almost spiritual, but maybe that was my interpretation.




The Tenant (1976) -- This film from Roman Polanski is a mind-bending experience that may have you shaking your head.  It's creepy fun trying to figure out who's who and what's what. 





 
 
 
 
Falling Down (1993) --This is my favorite Michael Douglas role and a film that anyone living in Los Angeles can empathize with.   Douglas plays a man frustrated by his failures in career, marriage, and fatherhood who, after being stuck in traffic on an intensely hot day, abandons his car on the freeway.  He then sets out on foot on a cross city trek to get to his child's birthday party.  On the way, he wreaks havoc with anyone who stands in his way.  It's a story of prejudice, urban frustration, and culture conflict.





Ed Wood (1994)--This is actually somewhat of a comedy and one of the most optimistic films I've seen.  Yet it deals with some dark topics about an individual whose life was actually somewhat dark.  This is a loving and playful look Ed Wood, a low budget film director who is credited with making some of the worst films ever.  Johnny Depp is amazing as always.  Martin Landau won an Oscar for his portrayal of Bela Lugosi.  This could have gone on my Dirty Dozen Favorites list because it is a favorite film of mine.



 
Lost Highway (1997) --This is one of the darkest, most mind-bending films ever--certainly not everyone's cup of tea.  Lost Highway is surrealistic madness from David Lynch.  The film deals with the nature of evil and immorality and graphically depicts it.  With a hard, hard R rating this is a film that justifiably presents sexual images, extreme violence, and crude language in order to get its point across.  It is a film that I like very much for its surrealism and weirdness.   Another Lynch film that deals with similar issues is Blue Velvet.  A Lynch film that is also dark, but not with so much R content is The Elephant Man.



Abre Los Ojos (1997) -- This Spanish film translated as Open Your Eyes was later remade in an English version called Vanilla Sky with Tom Cruise, Penelope Cruz and Cameron Diaz.   Vanilla Sky was pretty good, but the original version was better.  The film is a science fiction about cryogenics and virtual reality dreams. 





 
 
Dark City (1998) --This is another science fiction film about mind control and artificially devised realities.  The main character begins to sense something is peculiar about his life and the world he lives in.  He sets out to find the answers to the questions that begin to plague him.  It's a clever premise that is along the lines of movies like The Matrix and The Thirteenth Floor.




Limbo (1999) -- This is a John Sayles film about people in Alaska whose lives are falling apart.  They have become alienated within their despair and just get by in their lives.  A lonely single mother, her self-mutilating teenage daughter, and a lonely former fisherman are brought together in a situation of survival in the wilderness.  This film has some superb acting.  The ending may leave you laughing, slapping yourself in frustration, cursing the screen in anger, or just staring at the screen wondering what it was all about.  When I saw this film the first time I thought about it for a couple days and then realized the genius of the ending--it was the most appropriate way to end the movie and explained much of the story.  At least that's the way I saw it.




The Prestige (2006)--This is a fascinating film about two rival magicians obsessed in finding the greatest magic trick.  Although it essentially starts as a show biz type movie, the story takes a turn to science fiction.  The premise is pretty clever.








The Dark Knight  (2008) -- The most recent of the Batman films was made especially notorious with the incredible performance by Heath Ledger as the Joker.   Fabulous sets, effects, concepts, and good acting from all.   The dark superhero Batman is pitted against the madness of the Joker and his army of crazies.  One of the best batman films so far.






         On Monday we will be listing our 10 Favorite Love Songs and 10 Favorite Break Up Songs.  Sign up on the Linky list at the top of the page if you'd like to add yours.





Tuesday, December 1, 2009

Bad Movies-- Not Like In Bad, But Not Very Good

          When I'm talking about bad movies in this article, I'm not necessarily referring to rated X, or evil, or morally offensive, although it could also be any or all of those.  I'm talking about that genre of movie that is sometimes referred to as "so bad that it's good".  These "bad movies" are the ones that become standards by which we measure how bad a movie can be.


          One of my favorite good movies of all time is ED WOOD with Johnny Depp and Martin Landau, who won an Oscar in this film for his portrayal of Bela Lugosi.  This film is a bio-pic based on the life of bad filmmaker Ed Wood, who has been often referred to as the worst filmmaker of all time. The film ED WOOD is one of the best films about optimism ever made. If you have not seen this film, I would highly recommend it for the acting and story. The film certainly paints a far brighter picture of the character of the real life Ed Wood, but in essence I think Tim Burton, the director, accurately captured the spirit of the early years of this bad film director.


         Ed Wood the director made a lot of bad movies.  As far as I know he never made a good movie,  but his movies were so bad that he has earned a place in cinema history.  The most well-known film that Wood made is certainly the science fiction absurdity PLAN 9 FROM OUTER SPACE.  I recall seeing this as a child back in the late 50s and being quite frightened. The movie impressed me so at the time that it stayed with me for many years, but I never saw it again until the 90's. Watching the film as an adult I realized how absurd  and unrealistic were the acting, dialogue, and special effects. This is why the film has achieved cult status.  If you've never seen this movie and you like campy, 50s sci-fi, then you might get a kick out of PLAN 9.  This is not my recommendation, I'm just saying some of you might get a kick out of it.

            What has made me think about Ed Wood is a film that I saw recently called THE ROOM.  I had read an article in the Los Angeles Times about this film and became curious. The Times story told about how this film had achieved cult status and was playing to sell-out midnight movie audiences. The article went on to compare the status of the film to ROCKY HORROR PICTURE SHOW , a schlocky rock musical from the mid 70s. Most people are now familiar with ROCKY HORROR PICTURE SHOW but if you're not the film has been playing to midnight movie audiences for over 30 years now. It is not so much of a movie that you would go to see as it is an event that you dress in costume for and you participate along with the film when you are in the audience. If you watch it at home you're not going to have the same experience as you would when seeing it with an audience.  You really have to attend a showing to get the full effect, but if you're like me it shows past your bedtime.  If you have never been to a showing of ROCKY HORROR , and can stay up that late and enjoy utter wackiness then you might like to check it out.

             Now comparing THE ROOM, which was first released in 2003, to ROCKY HORROR I do not understand.  Maybe it's a new generation thing.  The schlock-rock musical is a fun fest where you can dance, sing, and act along with intentionally hokey dialogue.  THE ROOM was originally intended to be serious. After it was released some critics were calling it the worst movie ever made.  Wikipedia states that at it's premiere "people in the theater began laughing at the film within the first ten minutes, and by the end, some of the crowd were "rolling around" and "crying with laughter"." 

           Tommy Wiseau was the star of the film and also wrote the screenplay, produced,  and directed it as well.  He states that everything he did in the film was done intentionally, however his attempts certainly did not come out as he planned.  He was attempting to make a Tennessee Williams style drama filmed ala David Lynch.  Unintentionally he ended up with an absurd film with which a certain segment of movie audience became endeared.  So after having read the Times article I felt compelled to see this movie for myself, especially being a big David Lynch fan.  I won't say it's the worst movie I have ever seen by a long shot, but it's pretty bad.  The dialogue and acting are pretty laughable and the story is rather peculiar to say the least. I guess I'm glad I watched it to satisfy my curiosity about what I'd read. I would not recommend it to anyone unless they were a fan of bad movie-making.

           I'm not sure what it is about camp, schlock, and bad movies, but some people just love them.  And I guess it's especially more fun when you're in a crowd and everybody's laughing and having fun with it.  I don't know how Tommy Wiseau really feels about the reception to his film, but I guess he's thankful that he's making money with it and apparently has been pretty good-natured about the whole thing.

          If you've seen THE ROOM what did you think of it?  Do you like to see bad movies?  What particularly bad movies have you seen and what made them so bad?  How do you think you would feel if you created a work that you deemed very serious and instead it was received with such ridicule that it gained notoriety?  If you have to pick one, what's more important to you: the status of your work or the money you make from it?

          One final note--at the beginning of November I stated that I was hoping to gain 100 followers by the end of the month.  At last count I had 57.  After a little over two months of blogging, I guess that's really not too bad.  I'm not displeased with the count at all and I am quite thankful for all those who have signed on to follow this blog.  And if you don't follow yet then how's about you clicking on that little ole follower button there on the right?